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ื’ืณ, 31 ืžืจืฅ

ืคืฉืข 101

72 ืฉืขื•ืช ื•- 21 ื“ืงื•ืช2026

ื“ื™ื™ื•ื•ื™ืก ื”ื•ื ื’ื ื‘ ืžืกืชื•ืจื™ ืฉืžืชืžื—ื” ื‘ืฉื•ื“ื™ื ืžืกื•ื›ื ื™ื ื‘ื™ื•ืชืจ ืฉืžื‘ืœื‘ืœื™ื ืืช ื”ืžืฉื˜ืจื” ืคืขื ืื—ืจ ืคืขื. ื”ื•ื ืžืชื›ื ืŸ ืืช ื”ืฉื•ื“ ื”ื’ื“ื•ืœ ื‘ื™ื•ืชืจ ื‘ืงืจื™ื™ืจื” ืฉืœื• ื•ื‘ืชืงื•ื•ื” ืฉื’ื ื”ืื—ืจื•ืŸ. ื”ื•ื ื ืืœืฅ ืœืฉืชืฃ ืคืขื•ืœื” ืขื ืฉืจื•ืŸ, ืžื ื”ืœืช ื‘ื™ื˜ื•ื— ืžืื•ื›ื–ื‘ืช, ื•ืขื ืื•ืจืžืŸ, ื’ื ื‘ ื™ืจื™ื‘ ื‘ืขืœ ืฉื™ื˜ื•ืช ื”ืจื‘ื” ื™ื•ืชืจ ืืคืœื•ืช. ื›ื›ืœ ืฉืžืชืงืจื‘ ืžื•ืขื“ ื”ืฉื•ื“ ื‘ืฉื•ื•ื™ ืžื™ืœื™ื•ื ื™ ื“ื•ืœืจื™ื, ื”ื‘ืœืฉ ื”ืขืงืฉืŸ ื”ืกื’ืŸ ืœื•ื‘ื–ื ื™ืง ืกื•ื’ืจ ืขืœื™ื”ื, ื”ืžืชื— ื’ื•ื‘ืจ, ื•ืœื ื‘ืจื•ืจ ื™ื•ืชืจ ืžื™ ื”ืฆื™ื™ื“ ื•ืžื™ ื”ื ืจื“ืฃ. ื›ืœ ืื—ื“ ืžื”ื ื ืืœืฅ ืœื”ืชืžื•ื“ื“ ืขื ื”ืžื—ื™ืจ ืฉืœ ื”ื‘ื—ื™ืจื•ืช ืฉืœื• ื•ืขื ื”ื”ื‘ื ื” ืฉืื™ืŸ ื“ืจืš ื—ื–ืจื”.

ื–'ืื ืจ: ืคืฉืขืžื•ืชื—ืŸ

ืฉื—ืงื ื™ื:
ื›ืจื™ืก ื”ืžืกื•ื•ืจืช'Davis
ืžืืจืง ืจืืคืœื•Lou
ื”ืืœื™ ื‘ืจื™Sharon
ื‘ืืจื™ ืงื™ื•ื’ืŸOrmon
ืžื•ื ื™ืงื” ื‘ืืจืื‘ื•Maya
ื ื™ืง ื ื•ืœื˜ื™Money
Corey HawkinsTillman
ื’'ื ื™ืคืจ ื’'ื™ื™ืกื•ืŸ ืœื™Angie
Peter BanifazBen Haddad
ื‘ืžืื™:Bart Layton

ืกืจื˜ื™ื ื“ื•ืžื™ื:

ืจื•ืฆื—ื™ื ื‘ื”ืžืชื ื”

6.3 / 10

ืคืขื•ืœื”

ืคืฉืข

ืคืจื˜ื™ื ืžืœืื™ื
ืจื•ืฆื—ื™ื ื‘ื”ืžืชื ื”

1998

ืขืœ ื—ื‘ืœ ืžืชื•ื—

6.1 / 10

ืžืกืชื•ืจื™ืŸ

ืžืชื—

ืคืจื˜ื™ื ืžืœืื™ื
ืขืœ ื—ื‘ืœ ืžืชื•ื—

1984

The Hound of the Baskervilles

6.8 / 10

ืžืกืชื•ืจื™ืŸ

ืžืชื—

ืคืจื˜ื™ื ืžืœืื™ื
The Hound of the Baskervilles

1959

ื—ืฉื“ื•ืช ืžื”ืขื‘ืจ

7.267 / 10

ืคืฉืข

ื“ืจืžื”

ืคืจื˜ื™ื ืžืœืื™ื
ื—ืฉื“ื•ืช ืžื”ืขื‘ืจ

1995

Ni pour, ni contre (bien au contraire)

5.9 / 10

ื“ืจืžื”

ืคืฉืข

ืคืจื˜ื™ื ืžืœืื™ื
Ni pour, ni contre (bien au contraire)

2003